A great essay in the Glasgow Review of Books about “A Dog at the Edge of Things,” the review makes connections that I had always really wanted someone to notice after all these years plying the 100-word trade (!) but also suggests other completely unanticipated associations that both surprise and delight. What Berridge says about…… Continue reading “A Dog” review
Category: Writing
“Like Trees In A Wrong Forest”
An essay exploring how an interleaving of the idea of a ‘forest commons’ with glimpses of the arboreal thoughts of Yoko Ono, Luce Irigaray and Macarena Gómez-Barris (among others) might provide a frame for the Acoustic Commons project and its Autumn 2022 festival. You can read the essay here. It is an honour to be…… Continue reading “Like Trees In A Wrong Forest”
“A Dog at the Edge of Things”
A compilation of 21 years of ‘field notes,’ gathered from various projects, published by JOAN with wonderful blurbs from Suzanne Walsh and Gareth Evans. Leaning over the bed, I tilt and shake my shoes, wary that the mate of the centipede killed yesterday could still be at large. I head from the guesthouse down the…… Continue reading “A Dog at the Edge of Things”
“Meters”
A series of field notes from the archives for the Gruenrekorder publication called, er, “Field Notes,” edited by Daniel Knef and Lasse-Marc Riek. The photograph is one of Robin Silas Christian’s for the Makina Books release of “Night Blooms.”
“Sixty Stories, Six Thousand Miles Apart”
A chapter in “Fieldwork for Future Ecologies: Radical Practice for Art and Art-based Research,” published by Onomatopee, designed by Paul Mylecharane of Public Office and edited by Sam Nightingale, Polly Stanton and the amazing Bridget Crone, who passed away shortly after publication and for whom the book becomes an eloquent testimony.